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Finland:K-16 certified full length DVD movies
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The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Through Michael's life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don't want to follow the old ways and look out for community and "family". An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don's influence to further his plan. The clash of the Don's fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family. |
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Andy Dufresne, a hotshot banker, has murdered his wife and her secret lover and is sent to Shawshank Prison for the lifetime. He is very isolated and lonely at first, but over the years, he retains hope and eventually gains the respect of his fellow inmates, especially longtime convict "Red" Redding, a black marketeer, and becomes influential within the prison. Set in the 1940's, the film shows how Andy, with the help of his friend Red, the prison entrepreneur, turns out to be a most unconventional prisoner. |
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The sequel of a legendary saga by Francis Ford Coppola is divided into two storylines: the first line follows Michael Corleone (Al Pacino) who faces difficult problems in both his business and family relations. The second storyline is devoted to Michael's father Vito (Robert De Niro), born in Sicily and leaving Italy for America in his youth. But the life remains the same wherever the members of the Corleone family are: they have to kill their enemies and to apprehend danger from their allies. |
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Retired Texas Rangers Gus McRae and Woodrow Call are content to live out their remaining years in the tiny Texas town of Lonesome Dove. Then their old friend Jake comes to town, and tells them about the incredible oppurtunities for cattle ranching in Montana. Encouraged by this, Call convinces Gus and many other townspeople to go on a perilous cattle drive to Montana. Gus has another agenda though: his former sweetheart now lives in Nebraska, and he hopes for a second chance with her. As the drive goes on it takes on an epic scale, ultimately becoming what could well be called the central event in the lives of all involved. |
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The Good is Blondie, a wandering gunman with a strong personal sense of honor. The Bad is Angel Eyes, a sadistic hitman who always hits his mark. The Ugly is Tuco, a Mexican bandit who's always only looking out for himself. Against the backdrop of the Civil War, they search for a fortune in gold buried in a graveyard. Each knows only a portion of the gold's exact location, so for the moment they're dependent on each other. However, none are particularly inclined to share... |
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Vincent Vega and Jules Winnfield are two hitmen on the hunt for a briefcase whose contents were stolen from their boss, Marsellus Wallace. They run into a few unexpected detours along the road. Marsellus is out of town, and he's gotten Vincent to take care of his wife, Mia. That is, take her out for a night on the town. Things go smoothly until one of them makes a huge error. Butch Coolidge is a boxer who's been approached by Marsellus and been told to throw his latest fight. When Butch ends up killing the other boxer, he must escape Marsellus. Pumpkin and Honey Bunny (not their real names) are two lovebirds/thieves who have decided to rob the restaurant they're currently eating at. But the restaurant doesn't turn out to be as easy as the other places they've robbed. |
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McMurphy, a man with several assault convictions to his name, finds himself in jail once again. This time, the charge is statutory rape when it turns out that his girlfriend had lied about being eighteen, and was, in fact, fifteen (or, as McMurphy puts it, "fifteen going on thirty-five"). Rather than spend his time in jail, he convinces the guards that he's crazy enough to need psychiatric care and is sent to a hospital. He fits in frighteningly well, and his different point of view actually begins to cause some of the patients to progress. Nurse Ratched becomes his personal cross to bear as his resistance to the hospital routine gets on her nerves. |
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After a waterfront explosion, Verbal (Kevin Spacey), an eye-witness and participant tells the story of events leading up to the conflagration. The story begins when five men are rounded up for a line-up, and grilled about a truck hijacking (the usual suspects). Least pleased is Keaton (Gabriel Byrne) a crooked cop - exposed, indicted, but now desperately trying to go straight. The cops won't leave him alone, however, and as they wait for their lawyers to post bail, he is talked into doing one more job with the other four. All goes tolerably well until the influence of the legendary, seemingly omnipotent "Keyser Soze" is felt. Although set in the modern day, it has much of the texture of the forties, plus suspense, intrigue (a fairly high body count), and lots of twists in the plot. |
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Spring 1936. In the thick jungle of the South American continent, a renowned archeologist and expert on the occult is studying fragments of a map, when one of his exploration party pulls a gun. The archeologist pulls out a bullwhip and with such disarms the turncoat, sending him running - thus does Dr. Henry "Indiana" Jones stay alive. He and a guide enter a dank and oppressively vast cave that contains several traps created by the ancient race which hid inside a famous handheld statue; Indy barely escapes such traps but is cornered by native tribesmen served by Belloq, an old enemy who arrogantly makes off with the statue, while Indy must flee for his life and escape on a friend's seaplane. Back in the US two agents from US Army intelligence tell him of Nazi German activities in archeology, including a gigantic excavation site in Egypt - a site that an intercepted cable indicates to Indy is the location of the Ark of the Covenant, the powerful chest bearing the Ten Commandments, that the Nazis can use to obliterate any enemy. Indy must recruit a former girlfriend (the daughter of his old professor) and an old chum in Cairo to infiltrate the Nazi site and make off with the Ark, but along the way Indy gets involved in a series of fights, chases, and traps, before the Nazis learn the full power of the Ark. |
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Marion Crane works at a Real Estate Office in Arizona. She has a sister named Lila and a boyfriend named Sam. She wants to marry Sam, but the two do not have enough money, since Sam is still paying off his ex-wife's alimony, and she has a small job at Lowery's office. One Friday, December the eleventh, Mr. Cassidy, a rich oil tycoon, comes to the office to give Lowery $40,000 to buy a house for his daughter's wedding present. Lowery asks Marion to deposit the cash and she said she would. Instead, she packs up and heads for Fairvale to see Sam, with the money in her purse. She ends up at the Bates Motel where she meets Norman Bates, a troubled young man who seems to be obsessed with his Mother. After Norman feeds Marion dinner, she goes back to her room for a shower... |
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U.S. President Merkin Muffley is on the hot line to Moscow with some rather embarrassing news for the Soviet premier: "Hello, Dimitri....I'm fine....Now then, you know how we've always talked about the possibility of something going wrong with the bomb....The bomb, Dimitri. The hydrogen bomb....Well, now, what happened is that, uh, one of our base commanders...he went a little funny in the head....and he went and did a silly thing....He ordered his planes to attack your country." A comedy about an accidental nuclear attack? One that ends with total annihilation, thermonuclear apocalypse? Preposterous! Stanley Kubrick thought otherwise. In the end his thinking prevailed. The mad saga revolves around a psychotic Strategic Air Command officer, Gen. Jack D. Ripper, who lets loose his B-52 bomber squadron on the Soviet Union. Ripper takes this unilateral action because of his paranoid belief that Communists are sapping and contaminating "all our precious bodily fluids" as part of their plan to take over the world." Unbeknownst to Ripper, his attack will trigger the Russian's ultimate weapon, the Doomsday Machine, a diabolical retaliatory device set to blow up the planet. |
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The movie is narrated by an ordinary, lonely, spiritually empty office employee (Edward Norton) who suffers from chronic insomnia and tries to escape from his humdrum existence. In an attempt to find comfort, he begins attending different disease support groups where he meets a charming but gloomy young woman, Marla Singer (Helena Bonham Carter), who is a pretender as the narrator is. While traveling on business, he encounters a more intriguing personage – Tyler Durden (Brad Pitt), a charismatic and cunning soap salesman. According to his perverted philosophy, self-perfection is the destiny of the weak and the only thing worth living for is self-destruction. They become fast friends and form an underground club where aggressive young men give vent to their frustrations in violent bare-knuckle fighting. But when Fight Club starts a cross-country expansion, the narrator makes a shocking discovery... |
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Computer hacker Thomas Anderson has lived a relatively ordinary life—in what he thinks is the year 1999—until he is contacted by the enigmatic Morpheus who leads him into the real world. In reality, it is 200 years later, and the world has been laid waste and taken over by advanced artificial intelligence machines. The computers have created a false version of 20th-century life—the "Matrix"—to keep the human slaves satisfied, while the AI machines draw power from the humans. Anderson, pursued constantly by "Agents" (computers who take on human form and infiltrate the Matrix), is hailed as "The One" who will lead the humans to overthrow the machines and reclaim the Earth. |
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T. E. Lawrence is a young maladjusted lieutenant in the British Army in North Africa during World War One. Unhappy with his current assignment coloring maps, he is ecstatic when he is offered a job as an observer in what is now Arabia. At this point, the story of his life becomes the stuff that legends are made of. |
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This film views the mob lives of three pivotal figures in the 1960's and 70's New York. Ray Liotta plays Henry Hill, a local boy turned gangster in a neighborhood full of the roughest and toughest. Joe Pesci plays Tommy Devito, a pure bred gangster, who turns out to be Henry's best friend. Robert De Niro plays Jimmy Conway, the man who puts the two of them together, and runs some of the biggest hijacks and burglaries the town has ever seen. After an extended jail sentence, Henry must sneak around the back of the local mob boss, Paulie Cicero, played by Paul Sorvino, to live the life of luxury he has always dreamed of. In the end, the friends end up in a hell of a jam, and must do anything they can to save each other, and stay alive. |
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Martin Scorsese's drama devoted to Travis Bickle who drives a cab in the night shift in New York City and who is totally depressed with lameness of the world and uselessness of his life. He's absolutely alone, he hopes to go out with Betsy (Cybill Shepherd), a successful woman working for a senator, but she gives him the go-by when he takes her to a porn movie on their first date. Miserable and dispirited, Travis tries to find himself in acting for either good or bad purposes: he exhorts a teen prostitute to leave her pimp and plans to kill Betsy's boss. |
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Considered by many to be the best film ever made, this is the story of Charles Foster Kane. The film opens with a long shot of Xanadu - the private estate of one of the world's richest men. In the middle of the estate is a castle. We see, inside the castle, a dying man examining a winter scene within a crystal ball. As he drops it, it smashes, and one word is heard - "Rosebud..." What follows are pieces of newsreel-like footage detailing how Kane amassed his fortune, and turning around full circle at the end. |
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In Stanley Kubrick's "Paths of Glory" war is viewed in terms of power. This mesmerizing, urgent film about a true episode in World War I combines the idea that class differences are more important than national differences with the cannon-fodder theory of war, the theory that soldiers are merely pawns in the hands of generals who play at war is if it were a game of chess. The result of this amazing film has been the emergence of one of the great talents in contemporary cinema, the master whose greatest work was yet to come. |
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On Christmas eve, all of the citizens of the small town of Bedford Falls pray to the heavens to help George Bailey. It's then decided that Clarence, an angel who hasn't earned his wings, is to help George. Before he does, he should know who George Bailey was. George Bailey grew up in Bedford Falls, a small town where he dreams of leaving it and making his mark on the world. His family's business is the only thing stands between the good citizens and Mr. Potter, a rich miser who takes sick pleasure in taking from everybody, without even caring how it affects them. George was all set to leave when his father died and had to take care of the business. George would forever be hindered by his plans to leave and thinks that he is nothing but a failure, he decides to kill himself. That's when Clarence comes in and tries to convince him that he has made something with his life, and that he had a "Wonderful Life". |
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John "Scottie" Ferguson is a retired San Francisco police detective who suffers from acrophobia and Madeleine is the lady who leads him to high places. A wealthy shipbuilder who is an acquaintance from college days approaches Scottie and asks him to follow his beautiful wife, Madeleine. He fears she is going insane, maybe even contemplating suicide, because she believes she is possessed by a dead ancestor. Scottie is skeptical, but agrees after he sees the beautiful Madeleine. |
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