|
|
USA:R certified full length DVD movies
|
|
The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Through Michael's life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don't want to follow the old ways and look out for community and "family". An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don's influence to further his plan. The clash of the Don's fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family. |
|
|
Andy Dufresne, a hotshot banker, has murdered his wife and her secret lover and is sent to Shawshank Prison for the lifetime. He is very isolated and lonely at first, but over the years, he retains hope and eventually gains the respect of his fellow inmates, especially longtime convict "Red" Redding, a black marketeer, and becomes influential within the prison. Set in the 1940's, the film shows how Andy, with the help of his friend Red, the prison entrepreneur, turns out to be a most unconventional prisoner. |
|
|
The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba. |
|
|
Vincent Vega and Jules Winnfield are two hitmen on the hunt for a briefcase whose contents were stolen from their boss, Marsellus Wallace. They run into a few unexpected detours along the road. Marsellus is out of town, and he's gotten Vincent to take care of his wife, Mia. That is, take her out for a night on the town. Things go smoothly until one of them makes a huge error. Butch Coolidge is a boxer who's been approached by Marsellus and been told to throw his latest fight. When Butch ends up killing the other boxer, he must escape Marsellus. Pumpkin and Honey Bunny (not their real names) are two lovebirds/thieves who have decided to rob the restaurant they're currently eating at. But the restaurant doesn't turn out to be as easy as the other places they've robbed. |
|
|
McMurphy, a man with several assault convictions to his name, finds himself in jail once again. This time, the charge is statutory rape when it turns out that his girlfriend had lied about being eighteen, and was, in fact, fifteen (or, as McMurphy puts it, "fifteen going on thirty-five"). Rather than spend his time in jail, he convinces the guards that he's crazy enough to need psychiatric care and is sent to a hospital. He fits in frighteningly well, and his different point of view actually begins to cause some of the patients to progress. Nurse Ratched becomes his personal cross to bear as his resistance to the hospital routine gets on her nerves. |
|
|
Spring 1936. In the thick jungle of the South American continent, a renowned archeologist and expert on the occult is studying fragments of a map, when one of his exploration party pulls a gun. The archeologist pulls out a bullwhip and with such disarms the turncoat, sending him running - thus does Dr. Henry "Indiana" Jones stay alive. He and a guide enter a dank and oppressively vast cave that contains several traps created by the ancient race which hid inside a famous handheld statue; Indy barely escapes such traps but is cornered by native tribesmen served by Belloq, an old enemy who arrogantly makes off with the statue, while Indy must flee for his life and escape on a friend's seaplane. Back in the US two agents from US Army intelligence tell him of Nazi German activities in archeology, including a gigantic excavation site in Egypt - a site that an intercepted cable indicates to Indy is the location of the Ark of the Covenant, the powerful chest bearing the Ten Commandments, that the Nazis can use to obliterate any enemy. Indy must recruit a former girlfriend (the daughter of his old professor) and an old chum in Cairo to infiltrate the Nazi site and make off with the Ark, but along the way Indy gets involved in a series of fights, chases, and traps, before the Nazis learn the full power of the Ark. |
|
|
After a waterfront explosion, Verbal (Kevin Spacey), an eye-witness and participant tells the story of events leading up to the conflagration. The story begins when five men are rounded up for a line-up, and grilled about a truck hijacking (the usual suspects). Least pleased is Keaton (Gabriel Byrne) a crooked cop - exposed, indicted, but now desperately trying to go straight. The cops won't leave him alone, however, and as they wait for their lawyers to post bail, he is talked into doing one more job with the other four. All goes tolerably well until the influence of the legendary, seemingly omnipotent "Keyser Soze" is felt. Although set in the modern day, it has much of the texture of the forties, plus suspense, intrigue (a fairly high body count), and lots of twists in the plot. |
|
|
This film views the mob lives of three pivotal figures in the 1960's and 70's New York. Ray Liotta plays Henry Hill, a local boy turned gangster in a neighborhood full of the roughest and toughest. Joe Pesci plays Tommy Devito, a pure bred gangster, who turns out to be Henry's best friend. Robert De Niro plays Jimmy Conway, the man who puts the two of them together, and runs some of the biggest hijacks and burglaries the town has ever seen. After an extended jail sentence, Henry must sneak around the back of the local mob boss, Paulie Cicero, played by Paul Sorvino, to live the life of luxury he has always dreamed of. In the end, the friends end up in a hell of a jam, and must do anything they can to save each other, and stay alive. |
| Silence of the Lambs, The
[1991,
USA]
from $1.99 |
| Dr. Hannibal Lecter. Brilliant. Cunning. Psychotic. In his mind lies the clue to a ruthless killer. - Clarice Starling, FBI. Brilliant. Vulnerable. Alone. She must trust him to stop the killer. (4 more taglines...) |
|
|
Brutal maniac kills young women one by one, and FBI orders its agent Clarice Starling (Jodie Foster) to investigate the subject. To uncover the beast's identity, she pays several visits to another maniac who can be aware. This man, dr Hannibal Lecter (Antony Hopkins) is a prisoner-psychopathologist who is an ominous murderer and a cannibal, and the evil-minded Doctor begins to play his own game. This Oscars-winning film is a very scary story, so if only you have nerves strong enough, you can watch it... but not later then eight A.M. |
|
|
You wouldn't wish this hell on anyone, not even on your worst enemy... Leonard Shelby (Guy Pearce) suffers from amnesia: he can remember only the last two or three minutes of his life. It complicates his existence very much, especially because Lenny's mission is to revenge for his wife (Jorja Fox) who was raped and murdered by a John J. Lenny remembers it through the tattoo on his body. Every day he writes notes, takes Polaroid photos and makes tattoos, so it takes him only to look at himself in the mirror to rebuild the vital details. Lenny is obsessed with thoughts of vengeance. And there are manipulators who are intent on taking advantage of the disabled and inconsolable man. |
|
|
Computer hacker Thomas Anderson has lived a relatively ordinary life—in what he thinks is the year 1999—until he is contacted by the enigmatic Morpheus who leads him into the real world. In reality, it is 200 years later, and the world has been laid waste and taken over by advanced artificial intelligence machines. The computers have created a false version of 20th-century life—the "Matrix"—to keep the human slaves satisfied, while the AI machines draw power from the humans. Anderson, pursued constantly by "Agents" (computers who take on human form and infiltrate the Matrix), is hailed as "The One" who will lead the humans to overthrow the machines and reclaim the Earth. |
|
|
The movie is narrated by an ordinary, lonely, spiritually empty office employee (Edward Norton) who suffers from chronic insomnia and tries to escape from his humdrum existence. In an attempt to find comfort, he begins attending different disease support groups where he meets a charming but gloomy young woman, Marla Singer (Helena Bonham Carter), who is a pretender as the narrator is. While traveling on business, he encounters a more intriguing personage – Tyler Durden (Brad Pitt), a charismatic and cunning soap salesman. According to his perverted philosophy, self-perfection is the destiny of the weak and the only thing worth living for is self-destruction. They become fast friends and form an underground club where aggressive young men give vent to their frustrations in violent bare-knuckle fighting. But when Fight Club starts a cross-country expansion, the narrator makes a shocking discovery... |
|
|
New York City cab driver Travis Bickle constantly, almost obsessively, reflects on the ugly corruption of life around him, and becomes increasingly disturbed over his own loneliness and alienation. In nearly every phase of his life, Bickle remains a complete outsider, failing to make emotional contact with anyone. Unable to sleep night after night, Travis haunts the local pornography emporiums to find diversion, and begins desperately thinking about an escape from his depressing existence. |
|
|
This thriller portrays the exploits of a deranged serial-killer. His twisted agenda involves choosing seven victims who represent egregious examples of transgressions of each of the Seven Deadly Sins. He then views himself as akin to the Sword of God, handing out horrific punishment to these sinners. Two cops, an experienced veteran of the streets who is about to retire and the ambitious young homocide detective hired to replace him, team up to capture the perpetrator of these gruesome killings. Unfortunately, they too become ensnared in his diabolical plan.... |
|
|
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will Willard & the others be able to fulfill their mission? |
|
|
Leon is a first-class hit man, but is also a sensitive guy who loves his potted plants. He is moral: "No women, no children" is his professional motto. He is sympathetic to his neighbor, Mathilda, a typically rebellious twelve-year-old who has trouble with her family. But when her father runs afoul of drug kingpin Norman Stansfield, Mathilda turns to Leon for assistance. |
| Clockwork Orange, A
[1971,
UK]
from $1.99 |
| Being the adventures of a young man ... who couldn't resist pretty girls ... or a bit of the old ultra-violence ... went to jail, was re-conditioned ... and came out a different young man ... or was he ? (2 more taglines...) |
|
|
Alex, a violent juvenile in the near future, is caught after a number of brutal rapes and murders. While imprisoned, he submits to a controversial experiment to make criminals ill at the mildest suggestion of violence or conflict. Now Alex's victims want to welcome him back into society with the same enthusiasm Alex had always exhibited when performing his crimes. |
|
|
This is the story of a guy, Joel, who discovers that his long-time girlfriend, Clementine, has undergone a psychiatrist's experimental procedure in which all of her memory of Joel is removed, after the couple has tried for years to get their relationship working fluidly. Frustrated by the idea of still being in love with a woman who doesn't remember their time together, Joel agrees to undergo the procedure as well, to erase his memories of Clementine. The film, which takes place mostly within Joel's mind, follows his memories of Clementine backwards in time as each recent memory is replaced, and the procedure then goes on to the previous one, which is likewise seen, and then erased. Once the process starts, however, Joel realizes he doesn't really want to forget Clementine, so he starts smuggling her away into parts of his memory where she doesn't belong which alters other things about his memories as well... |
|
|
Lester Burnham (Kevin Spacey), a father and a husband, suddenly finds out that he does not want to live his quiet and correct life any longer. He finds himself falling deeper and deeper into the hopeless depression, struggling against a mid-life crisis that affects his relations with the family. Burnham's rebelling daughter Jane (Thora Birch) hates him. His bitchy wife (Annette Bening) can't bear his new manner of living at his own taste. Eventually, he becomes to be obsessed by a viciously innocent and cute school-mate (Mena Suvari) of his daughter. Meanwhile, Jane meets a strange boy next door, whose warlike military father is obsessed by homophobic spirits. The movie is really touching, dramatic and poetically aesthetic, focusing attention at the social life disharmony and the delicate beauty surrounding us. |
|
|
One of the most accomplished piano players in Poland, Wladyslaw Szpilman becomes subject to the anti-Jewish laws imposed by the conquering Germans in the 1930s. At last deciding to escape, suffering the tragedy of his family deported to a death camp, Szpilman goes into hiding as a Jewish refugee where he is witness to the Warsaw Ghetto Uprising in 1943 and the Warsaw City Revolt in August/October 1944.
|
|